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Sound Art
All available Sound Art releases sorted by release date – latest first.
Henry Kuntz | IINFIINIITY
“The process of multi-track creation has been an ongoing musical exploration and experiment, the results of which have consistently surprised and delighted me. I hope you enjoy listening.” — Henry Kuntz
Jealousy Party | Live
Disturbed and unsociable electronics, squirts of songs, saxs, laptop and CD’s in flames and histrionic vocal manipulations…
… With a punk attitude!
Udo Schindler + Sebastiano Tramontana | Localized Talks | 5. Salon für Klang + Kunst
The fifth Salon für Klang + Kunst is Localized Talks
udo schindler – soprano saxophone, bassclarinet | sebastiano tramontana – trombone
Gianni Lenoci, Gianni Mimmo | Reciprocal Uncles
Great contemporary instant compositions from a challenging duo signed by the elegant and intense touch on piano by Gianni Lenoci and the morphing sound statement of the soprano saxophone of Gianni Mimmo.
Udo Schindler + Gunter Pretzel | 3. Salon für Klang + Kunst
Third in the series “Salon für Klang und Kunst”. One track. 25 Minutes. Live.
Recorded & mixed by Udo Schindler.
arch.musik S002/D & metropolis records
Udo Schindler, Dr. Stephan Richter | 2. Salon für Klang und Kunst
Second of the series “Salon für Klang und Kunst”. Live session, after the break:
Udo Schindler - clarinet, bass-clarinet, sopranosaxophone | Dr. Stephan Richter – acoustic & electric guitar
Udo Schindler, Margarita Holzbauer, Harald Lillmeyer | 1. Salon für Klang und Kunst
First in the “Salon für Klang und Kunst” series. Live.
Recorded by Udo Schindler and mixed by Wolfgang Obrecht
Mirio Cosottini, Andrea Melani, Tonino Miano & Alessio Pisani | Cardinal
“Very beautiful and very, very sophisticated”. — Andrea Ferraris – Sands Zine, November 2009.
Five Rooms | No Room For Doubt
Gianni Mimmo, Angelo Contini, John Russell, Jean Michel van Schouwburg, Andrea Serrapiglio, Paolo Falascone
Thollem Mc Donas & Nicola Guazzaloca | Noble Art
Outstanding live performance: two piano players dancing the self-discovering music, the self-revealing touch, the self-delivering art.
Marjolaine Charbin and Jean-Michel Van Schouwburg | Quelles bouches voleront en éclats
Following meetings during improvised music concerts in Brussels, graduated jazz pianist Marjolaine Charbin and autodidact vocal improvisor Jean-Michel Van Schouwburg began working privately as a rehearsal duo in February 2008. The mutual music clicked quickly and surprisingly for both improvisors.
Cristiano Calcagnile and Monica Demuru | Blastula | Scarnoduo
A compelling, dialogic force, crossing intimate and universal depths, with a huge re-combinatory possibility. Words are sounds coming from ancestral tales and future lines. Sounds are words going to inner places, touching outer limits. A great story that really deserves to be told again and again.
EAR & NOW | Eclipse
EAR&NOW delivers a perfected work where it is easier to feel the harshness of lives moving there, like sharpnesses of a tide, darkened by a lunar Eclipse. Eclipse is each one’s other side.
EA Silence | Cono di Ombra e Luce
Whispering shadows gently flowing in the hidden dark space of an ancient synagogue. A morphing thunder pushed by acoustical swords, generating long distance waves and slow, inexorable tides. A stunning contemporary work deeply conceived to get perfect sounding ideas, dancing with the space around.
Henry Kuntz and Paul V. Kuntz | Year of the Ox
“These are the first recordings Paul and I have made together in 25 years. We had fun improvising and spontaneously shaping the music; each piece grew out of its own organic logic.” — Henry Kuntz
Frantz Loriot and Tonino Miano | Ulysses
“A gaze into the timeless concept of journey and self discovery. An idyllic and haunting musical voyage where Loriot and Miano make use of all the tools at their disposal to read in between the lines of Homer’s creation.”
Edoardo Marraffa and Tonino Miano | Edus Tonus
“A bold duo with a pungent, forward-pushing sound, where familiar lines are blurred into a tumultuous outpouring of dynamic, and often humorous gestures.”
Henry Kuntz and Don Marvel | One One & One
“I hope this record will serve to introduce Don’s genius to the many who I know will want to hear how he works. I am grateful to him for helping to bring all of my music full-circle and into complete contemporaneity.” — Henry Kuntz
akustronik | schindler | holzbauer | geisse | lillmeyer | pereyra | set two
improvised sound conversations
udo schindler | margarita holzbauer + GO GUITARS
akustronik | schindler | holzbauer | geisse | lillmeyer | pereyra | set one
improvised sound conversations
udo schindler | margarita holzbauer + GO GUITARS
Udo Schindler | pneuma – sopranosaxsoli
Selmer Mark IV without overdubs. Recording: February 2008, Udo Schindler. Mix & Master: Wolfgang Obrecht – RichArt-Studio. Photo by Lutz Weinmann
reFLEXible | REALGAR
The Antwerp & Brussels-based Collectief reFLEXible – Joachim Devillé (trumpet, flugelhorn), Thomas Olbrechts (alto saxophone), Stefan Prins (piano, objects and live-electronics) – focuses on free improvised music (or instant composed music) often combined with other media as dance, performance, video and film.
Mirio Cosottini & Tonino Miano | The Curvature of Pace
“The notes splatter like fat rain drops on hot pavement [...] Miano and Cosottini stand out”. — D. Dupont, Cadence Magazine
Gianni Mimmo, Xabier Iriondo | Your Very Eyes
Performance recorded early on a sunny dawn, June the 24th, 2007, in an ancient 10th century cave-church in a magic stone town named Matera, South of Italy.
Esther Lamneck, Eugenio Sanna | Intentions
Intentions is an inprovised cycle of brief pieces creating a narrative journey of evocative sound images and landscapes. Esther Lamneck: clarinet, tárogató | Eugenio Sanna: amplified guitar
Novo Tono | Wanderung
N o v o T o n o / w a n d e r u n g | Adalberto Ferrari: clarinet, bass clarinet, contrabass clarinet, soprano sax | Andrea Ferrari: clarinet, alto clarinet, baritone sax | Federico Cumar: trombone on isles & lives | Luca Serrapiglio: soprano sax on isles & lives
Jean-Michel Van Schouwburg, Jean Demey, John Russell | The Mercelis Concert (Brussels 2006)
A radically genuine kind of expression. Unpedigreed music that can turn our mood for the better in the space of a few minutes. — Massimo Ricci
Gianni Mimmo | Andrea Serrapiglio | Francesco Cusa | A Watched Pot (Never Boils)
Three crea(c)tive musicians coming from different and sometimes distant areas meeting in a magical recording session. Unpredictable and intriguing music, never obvious, crossing avant-jazz, concrete, romantic, ever passionate and surprising.
Moe! Staiano’s Moe!Kestra! | Two Rooms Of Uranium Inside 83 Markers: Conducted Improvisations Vol. II
The album documents two fine performances at the former performance venue, the Oakland Box Theater, in Oakland, with the Moe!kestra!
Musicians for Conducted Improvisation, Piece No.6 Depleted Uranium and Piece No.11 Two Orchestras in Separate Rooms.
Holmberg, Serrapiglio, Guazzaloca | Samsingen
Archaic Swedish songs sublimated with a contemporary attitude in an intense performance…
Schindler + Richter | Kleine Klassiker
Udo Schindler | Bb-clarinet, soprano, tenor saxophone, | Dr. Stephan Richter | guitars.
This is house (construction) music. Frank Lloyd said “architecture is frozen music”.
Gianni Mimmo, Lorenzo Dal Ri | Bespoken
Finally on CD this magical collaboration started on winter 2002 and still alive and well! Elegant sound concept and electro-acoustical statement, BESPOKEN…
Moe! Staiano’s Moe!Kestra! | An Inescapable Siren Within Earshot Distance Therein And Other Whereabouts
Piece No. 7 & Piece No. 5: Two Compositions for a Large Orchestra, strings, percussion, 6 E-stringed guitars, u-bolts, wine glasses and sirens.
“The pieces are two large (and yet, separate) compositions as a whole” — Moe!
Gianni Mimmo, Angelo Contini | Two’s Days / Tuesdays
The duo is translucent and light formula, first communication nucleus, distance to live, exploration of a moment-built spaces.
Gianni Mimmo | One Way Ticket
A concept of transit, of movement, of the nomadism of thoughts, of the impossibility of settling, and of our belonging to a journey.
Moe! Staiano’s Moe!Kestra! | Two Forms of Multitudes: Conducted Improvisations
“A mass amount of musicians playing in huge clusters in a dissonant array, forming a wall of musical noise. I have always enjoyed working with a large orchestra using multitudes of the same instrument. I love a large sound or many players playing all at once in a massive frenzy.” — Moe! Staiano
Illàchime Quartet | I’m Normal, My Heart Still Works
Gathered sounds and noises from the surroundings as well as scattered fragments of acoustic memories, which form the texture for the interventions of the musicians along rough and terse lines, often improvised. Final target: to intrigue and to seduce the audience by means of an unconventional, highly kinematic sonic experience.
J.A. Deane | Never Never Land
Come with us now to the thrilling days of yesteryear, cushioned by the sumptuous sonorous harmonies on this Peter Pan voyage to discovery. Ten-piece ensemble amidst silent movie. David Prince of THE SANTA FE REPORTER picked this one of the FIVE BEST OF 2001.
Stefan Dill | Flower and Song
“One of the principal attractions for me in performing improvised music is the telepathy, the connectivity that can occur between accomplished improvisers: the immediate call and response, the ability to find each others pitches, the simultaneity of rhythmic gestures and phrases.” — Stefan Dill
High Desert Duo | Inside The Landscape
These guys rewrote the Declaration of Independence. Homegrown and sky high. To me, jazz generally speaks of big cities. Here we have a breakthrough to the language of the high mountainous deserts & sagebrush of New Mexico.
J.A. Deane | These Times
“You gotta see this one to believe it… Dino in Boston, 1988, with 4 drum machines and 2 guitarist, one of whom is Bill Frisell.” — Mark Weber
Al Faaet and J.A. Deane | Grand Cross Eclipse
Percussion & trombone / electronics. Meteoric engagement. Cumulative effect. Eine Kleine buenas noches nachtfockingmusik.
Bonefied | Trombone Revenge
These guys are Roswell Rudd’s back-up band when he comes to New Mexico. Luxuriant maelstrom. Blissful chaos. No trivial corridor. Heraldic trombones !
J.A. Deane, Mark Weber | Vehicle Vortex Vertigo
Hubcaps & poetry. Used cars three year warranty. We were asked to do this installation at an art gallery for this city-wide cultural provocation on the theme of auto transportation. Autotransportation?? — Mark Weber
Opeye | Moss ‘Comes Silk
Highlights the formal advances possible in group playing when free improvisation is approached in its most natural manner. The uniqueness and complexity of each player’s part is expanded to the farthest extent possible while maintaining a recognizable group entity and musical identity.
Henry Kuntz | Bolivia (1986) Native Ritual Music from Italaque
Music from the Fiesta de la Invención de la Santa Cruz May 3, 1986. All of this music was recorded outdoors on basic equipment in “real life” circumstances.
